Warning: Declaration of TarskiCommentWalker::start_lvl(&$output, $depth, $args) should be compatible with Walker_Comment::start_lvl(&$output, $depth = 0, $args = Array) in /var/www/snigel.nu/public_html/wp-content/themes/tarski/library/classes/comment_walker.php on line 22 Warning: Declaration of TarskiCommentWalker::start_el(&$output, $comment, $depth, $args) should be compatible with Walker_Comment::start_el(&$output, $comment, $depth = 0, $args = Array, $id = 0) in /var/www/snigel.nu/public_html/wp-content/themes/tarski/library/classes/comment_walker.php on line 50 Olle Linge - Languages, literature and the pursuit of dreams · Salman Rushdie

Salman Rushdie

You are currently browsing articles tagged Salman Rushdie.

Title: Shalimar the Clown
Author: Salman Rushdie
Year: 2005

Salman Rushdie seems to be one of the exceptionally few authors I’m prepared to read almost regardless of what he writes. Why? Because the language alone is likely to lift the book up to at least four snails. If he then adds an adequate plot and don’t botch something important, the sky is the limit.

Shalimar the Clown is a fairly recent work (2005), at least when compared to The Satanic Verses, which was the first novel I read by Salman Rushdie. I haven’t read enough of him to comment on development, but it seems to me that although the Satanic Verses were rich in its language and had a multifaceted story, Shalimar the Clown outshines it at least for the language part. The story sets out with a man called Shalimar the Clown murdering a former American ambassador to India and the rest of the book explores the events leading up to the murder: how the ambassador has an illegitimite child, India, with Shalimar’s wife and how that child grows up and Shalimar seeks revenge. The narrative is set in varying environments, but with an explicit focus on Kashmir and it’s stormy relationship to India and Pakistan.

After finishing a book, I rarely feel the urge to read it again, but I feel something like that after finishing Shalimar the Clown. It’s not that the story is extraordinarily good or anything, it’s just that i feel that I didn’t have time to appreciate the language enough. In short, this book is expertly written and is worth recommending solely on this basis. There are inumerable passaged worthy of quoting and if I were a more diligent reviewer, I would present some here, but let it suffice to say that language is what makes this book worthwhile. In addition to this, it also contains an interesting portrayal not only of Kashmir, but also of the characters which in a way can be said to represent the region. A possible drawback is that the book feels a lot longer than the 450 pages it spans, perhaps because of the shattered plot. I woudl need to read this book again before awarding it a higher (or possible lower) rating!

Do I recommend the book to everyone? No, not really. You need to be the kind of reader which is prepared to read without a specific goal in mind, without a clearly defined plot and so on. If you don’t regard story as the most important part of a book, you should read Shalimar the Clown now, because it really is the most well-written book I’ve read for a very long time.

Tags: ,

Title: The Satanic Verses
Author: Salman Rushdie
Year: 1988

I wonder if Salman Rushdie knew that his 1988 book The Satanic Verses would be burnt in public and that Ayatollah Khomeini, the then leader of Iran, would issue a fatwa urging all good muslims to kill the author. Probably not, but that’s what I think is what people know about The Satanic Verses twenty years after it was published (if indeed they know anything at all). Picking up this book, then, I felt a bit uneasy, because books made famous mostly on political or religious grounds are seldom worth reading (I Know Why the Caged Bird Sings is a good example, review in Swedish). Being well known because of religious or political issues doesn’t necessarily preclude the possibility of a skilled author, but it’s certain that they aren’t one and the same..

Thus, I was pleasantly surprised by The Satanic Verses, mainly because of three things. First, the story of is intriguing. Saladin Chamcha and Gibreel Farishta, two unfortunate Indians who, after survining falling from an airplane flying ten thousand metres above sea level, are transformed into the devil and the archangel Gabriel respectively. These mutations (Chamcha grows hooves and horns, Gibreel a halo) are hard to reconcile with modern society and being supernatural isn’t easy. People have expectations. Besides, is it really given that the angel is always good and the devil always evil?

Throughout the narrative, there are a number of dream sequences attributed to the gradually more deranged mind of Farishta (he who turned into the archangel). One of these is based on the life of Muhammad (he isn’t called that, even though the reference is obvious) and this is most likely the part many Muslims regard as blasphemous. The prophet is portrayed as a person interpreting God’s will to suit himself and his message is soon degraded from piety and spirituality to mere rules (“the Rule Book”, as they refer to his text). The other dream sequences tell the story of a modern hajj, or pilgrimmage to Mecca, and that of a fanatic imam living in London.

Second (yes, I had a lot of things to say about the content in general), the language is rich, entertaining and creative. I stop several times, thinking to myself that a particular sentence or way of saying something was very effectful or beautiful. Filling 550 pages with this kind of language isn’t easy, but Rushdie manages, seemingly without much effort. I would be prepared to read more of his books only because of the language.

Third, I should also add that I like The Satanic Verses because of the elements of magical realism Rushdie employs in his writing (see One Hundred Years of Solitude and The Master and Margarita for two other examples, the first only in Swedish). In one of the dream sequences (the one about the hajj), the girl Ayesha has a special relationship with butterflies and the author manages to create a tale which is realistic, but yet includes supernatural elements, such as the butterflies. I happen to like butterflies in general, but this is just one single example of what I like in this book (the whole transmutation of the two main protagonists is perhaps an ever more obvious example).

I think I would have given five snails to Salman Rushdie if the book was a bit more focused and didn’t span more than 500 pages. Everything is good, but there’s just too much of it and perhaps also a bit diluted at times. Still, The Satanic Verses is a very good book indeed, and not only will I award it four and a half snails and recommend it warmly to anyone interested, but I’ll definitely read more by Salman Rushdie in the future. Any suggestions?

Tags: , ,